ⓘ Michael Heinemann. Born in Bergisch Gladbach, Heinemann passed his Abitur at the Nicolaus-Cusanus-Gymnasium Bergisch Gladbach in 1977. From 1978 to 1985 he stud ..

                                     

ⓘ Michael Heinemann

Born in Bergisch Gladbach, Heinemann passed his Abitur at the Nicolaus-Cusanus-Gymnasium Bergisch Gladbach in 1977. From 1978 to 1985 he studied Catholic church music A-exam 1982, music pedagogy state music teacher examination 1983 and concert subject organ class Wolfgang Stockmeier, university diploma 1985 at the Hochschule fur Musik und Tanz Koln. From 1982 to 1988 he studied musicology, philosophy and art history at the universities of Cologne, Bonn and Berlin, graduating in 1988 with a Masters degree. From 1986 to 1989 he worked as a tutor at the Musicological Institute of the Technical University of Berlin with Carl Dahlhaus. From 1989 to 1991 he received a doctoral scholarship from the State of Berlin and was awarded a doctorate at the TU Berlin in 1991 with a dissertation on the reception of Bach with Franz Liszt. From 1991 to 1993 he worked as a freelance musicologist, published books and did editorial work for radio stations. At the same time he held teaching positions at the Hochschule fur Musik "Hanns Eisler" in Berlin, the Hochschule fur Musik Carl Maria von Weber Dresden and the Folkwang-Hochschule Essen. From 1994 to 1996 he was granted a habilitation scholarship by the German Research Foundation. In 1997 Heinemann was habilitated at the TU Berlin with a study on music theory in the 17th century.

From 1998 to 2000, he held a professorship for historical musicology at the Carl Maria von Weber Academy of Music Dresden. Since 2000 he has been Professor of Historical Musicology there, and from 2003 to 2006 he served as Dean of the Department of Musicology.

His main areas of work include the history of Bachs reception and - in cooperation with the Robert Schumann House in Zwickau - a complete edition of Robert and Clara Schumanns letters published by Dohr, of which he is one of the editors. Heinemann is editor and co-editor of numerous books and series of publications.

                                     

1.1. Publications As author

  • Der Komponist fur Komponisten. Bach-Rezeptionen vom 18. bis zum 20. Jahrhundert. Bach nach Bach 2. Cologne 2010, ISBN 978-3-936655-71-1.
  • Heinrich Schutz. Reinbek bei Hamburg 1994, 1290-ISBN 3 499 50490 1.
  • Claudio Monteverdi. Die Entdeckung der Leidenschaft. Schott, Mainz 2017, ISBN 978-3-7957-1213-6.
                                     

1.2. Publications As editor and co-editor

  • Hermann Abert: Johann Sebastian Bach. Bausteine zu einer Biographie Bach nach Bach 1. Cologne 2008, ISBN 978-3-936655-56-8.
  • with Kristel Pappel: Oper mit Herz. Das Musiktheater des Joachim Herz. Vol. 1 to 3: Cologne 2010–2011, ISBN 978-3-936655-92-6, ISBN 978-3-936655-93-3, ISBN 978-3-936655-94-0.
  • with Hans John: Die Dresdner Oper im 20. Jahrhundert Musik in Dresden 7, Laaber 2005.
  • with Hans-Joachim Hinrichsen and Carmen Ottner: Offentliche Einsamkeit. Das deutschsprachige Lied und seine Komponisten im fruhen 20. Jahrhundert.Cologne 2009, ISBN 978-3-936655-73-5.
  • Schriftstucke von Heinrich Schutz Schutz-Dokumente 1. Using the text transfers worked out by Manfred Fechner and Konstanze Kremtz according to the sources. Cologne 2010, ISBN 978-3-936655-80-3.
  • Johann Rosenmuller: Kernspruche I, Cologne 2012.
  • with Hans John: Die Dresdner Oper im 19. Jahrhundert Musik in Dresden 1, Laaber 1995.