ⓘ Joachim Brugge. Brugge was born in Kiel. After his studies of music theory at the Musikhochschule Lubeck Diploma 1985, he studied Historical and Systematic Musi ..

                                     

ⓘ Joachim Brugge

Brugge was born in Kiel. After his studies of music theory at the Musikhochschule Lubeck Diploma 1985, he studied Historical and Systematic Musicology/Music Ethnology and Ethnology at the Georg-August-Universitat Gottingen and completed his studies in 1993 with a thesis under Martin Staehelin On the Personal Style of Wolfgang Amadeus Mozart ". In 2002 he habilitated at the University Mozarteum Salzburg on the subject of historical musicology with the thesis Wolfgang Rihms string quartets. Aspects of analysis, aesthetics and genre theory of the modern string quartet.

Since 1994 he has been working at the Universitat Mozarteum Salzburg, first at the Department 1 for musical composition/conducting and music theory and, after his habilitation, at the Department 9, musicology.

Since 2003 he has been working together with Peter Kuon and Sabine Coelsch-Foisner on the development of the focal point Science and Art, which is the cooperation between the University Mozarteum Salzburg and the University of Salzburg in teaching, scientific-artistic projects and publications.

In 2006 he founded the Institute for History of Musical Reception and Interpretation at the University Mozarteum Salzburg together with Wolfgang Gratzer and Thomas Hochradner.

Together with Thomas Bodmer and Hildemar Holl, numerous projects on the life and work of Stefan Zweig have been realized since 2002, which among others led to the foundation of the Zweig Centre in Salzburg in 2008.

                                     

1. Main areas of research

The modern music history of the 18th-20th century is at the centre of Bruges musicological work, with the following focal points:

  • 19th century instrumental music,
  • scientific-theoretical questions concerning the musicological methodological discourse,
  • American music also popular music of the 70s, American music theatre.
  • Viennese classic W.A. Mozart,
  • New music after 1975 among others Rihm,
                                     

2. Teaching activities

The teaching activities include music historical topics as well as selected topics sociology of music, film music among others.

                                     

3. Contributions to university development

At the end of the 1990s the University Mozarteum Salzburg had to cope with major tasks such as the closure and reconstruction of the main building on Mirabellplatz in 1998, the implementation of various austerity programmes with the reduction of the study plans or the management of the Mozart Year 2006. Brugge was involved in the following working groups:

  • from 2009-2012: Chairman of the Curricula Commission "Science and Art" of the University Mozarteum Salzburg.
  • 2003-2010: with Peter Kuon, head of the focus "Science and Arts", from 2010 to 2014 with Peter Kuon Program Director: Science and Arts: Arts & Humanities.
  • 2007-2009: Working group "Artistic Master Thesis".
  • 1999-2002: Participation in numerous working groups on the revision of the course plans.
  • from October 2002-October 2004, Institute Board of the Institute 14.
  • since 2011: director of the Institute for the History of Musical Reception and Interpretation at the Mozarteum University Salzburg.
  • since WS 2003: Commissioner for Cooperation with Paris Lodron University.


                                     

4. Publications

Bruges has written numerous essays and articles on the history of music from the 18th to the 20th century. The present selection lists the book publications:

As author

  • Habilitationsschrift Salzburg 2001: Wolfgang Rihms Streichquartette. Aspekte zu Analyse, Asthetik und Gattungstheorie des modernen Streichquartetts", 2004, ISBN 3-89727-261-X.
  • Dissertation: Zum Personalstil W. A. Mozarts. Untersuchungen zu Modell und Typus, am Beispiel der "Kleinen Nachtmusik", KV 525, Wilhelmshaven 1996, ISBN 3-7959-0685-7.
  • Intertextualitat und Rezeptionsgeschichte? W.A. Mozart, Divertimento in Es-Dur KV 563 klang-reden, vol. 12, Freiburg i.Br. 2014, ISBN 978-3-7930-9743-3.
  • Jean Sibelius: Symphonie und Symphonische Dichtung Beck. Studienfuhrer: Wissen, Munich 2009, ISBN 978-3-406-58247-9.

As editor

  • together with Siegfried Mauser editorial activities: Sonderband Wolfgang Rihm Musik-Konzepte 2004 series-Hg. Ulrich Tadday, ISBN 3-88377-782-X.
  • Zwischen ›Cultural Heritage‹ und Konzertfuhrer. W.A. Mozart, Eine Kleine Nachtmusik in den Medien klang-reden, Bd. 15, Freiburg i. Br.: Rombach 2016, ISBN 978-3-7930-9838-6.
  • "Das Buch als Eingang zur Welt", Wurzburg 2008, ISBN 978-3-8260-3983-6.
  • together with Claudia M. Knispel: Mozarts Orchesterwerke und Konzerte, Laaber 2007, ISBN 978-3-89007-461-0.
  • "Kosmisches Arkadien" und "Wienerische Schlampigkeit". Johann Strauss Sohn, An der schonen blauen Donau, op. 314 – Studien zur Rezeptions- und Interpretationsgeschichte klang-reden. Schriften zur Musikalischen Rezeptions- und Interpretationsgeschichte, vol. 21, Freiburg i. Br.: Rombach 2018, ISBN 978-3-7930-9909-3.
  • together with Gerhard Ammerer: Mozart interdisziplinar. Beitrage aus den Salzburger Ringvorlesungen zum "Mozart-Jahr" 2006, Salzburg 2007, ISBN 978-3-902537-06-5.
  • together with Ulrich Leisinger: Aspekte der Haydn-Rezeption klang-reden, vol. 6, Freiburg i. Br.: Rombach 2011, ISBN 978-3-7930-9657-3.
  • together with Wolfgang Gratzer and Thomas Hochradner: Mozarts letzte Sinfonien. Stationen ihrer Interpretationsgeschichte, klang-reden, vol. 1, Freiburg i. Br.: Rombach 2008, ISBN 978-3-7930-9518-7.
  • together with Wolfgang Gratzer and Otto Neumaier: Bildmusik. Gerhard Ruhm und die Kunst der Gegenwart, Saarbrucken 2007, ISBN 978-3-89727-335-1.
  • zusammen mit Sabine Coelsch-Foisner: My Fair Lady. Eine transdisziplinare Einfuhrung, Heidelberg: Universitatsverlag Winter 2015, ISBN 978-3-8253-6519-6.
  • Coverstrategien in der Popularmusik nach 1960 klang-reden, vol. 11, Freiburg i. Br.: Rombach 2013, ISBN 978-3-7930-9742-6.
  • Zur Interpretation von W.A. Mozarts Kammermusik klang-reden, vol. 14, Freiburg i. Br.: Rombach 2015, ISBN 978-3-7930-9796-9.
  • together with Nils Grosch: Singin´ in the Rain. Kulturgeschichte eines Hollywood-Musical-KlassikersPopulare Kultur und Musik, vol. 14, Munster among others: Waxmann 2014, ISBN 978-3-8309-3009-9.
  • Sowohl Mozart als auch. Salzburger Jubilaumstagung der Rezeptions- und Interpretationsforschung 2016 klang-reden. Schriften zur Musikalischen Rezeptions- und Interpretationsgeschichte, Bd. 18, Freiburg i. Br.: Rombach 2017, ISBN 978-3-7930-9900-0.
  • Facetten I: Symposien zur Kammermusik von Jean Sibelius, zum Liederkomponisten Max Kowalski und zur Liszt-Rezeption Musikwissenschaftliche Schriften der Hochschule fur Musik und Theater Munchen.Edited by Siegfried Mauser and Claus Bockmaier, vol. 6, Tutzing: Schneider 2014, ISBN 978-3-86296-074-3.
  • together with Ulrike Kammerhofer-Aggermann: Kulturstereotype und Unbekannte Kulturlandschaften am Beispiel von Amerika und Europa, Salzburg 2007, ISBN 978-3-901681-09-7.
  • together with Franz Fodermayr, Wolfgang Gratzer, Thomas Hochradner and Siegfried Mauser: Musikgeschichte als Verstehensgeschichte. Festschrift Gernot Gruber, Tutzing 2004, ISBN 3-7952-1173-5.
  • together with Gernot Gruber: Mozart Lexikon, Laaber 2005, ISBN 3-89007-466-9.
                                     

5. Memberships and awards

  • International Grand Prize for Science and Research 2018, Cultural Fund of the City of Salzburg.
  • Since 2019 Member of the Academy for Mozart Research of the Mozarteum Foundation
  • Bruges has been a member of the International Stefan Zweig Society Salzburg ISZG since 2000 and since 2015 honorary member of the Dutch Stefan Zweig Society Stefan Zweig Genootschap Nederland.